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Ludic Geographies, Edinburgh
Reblogged from materialsensibilities: I'm pleased to announce the line up for our sessions on Ludic Geographies for the RGS-IBG Annual Conference in Edinburgh in July. It's great to see the various...
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Article 4
Reblogged from Possible Summers: Stories and Reflections from the Playspace: Welcome to Possible Summers. The links to the four sections of the book are accessed through the links below:...
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Bruno Latour: Chapter One of Catherine Porter’s new translation of Modes of...
Reblogged from noir realism: Just discovered through Adam Robbert's site, Knowledge Ecologies (click here), that a provisional portion of Catherine Porter’s upcoming translation of Bruno Latour’s An...
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Tim Ingold on Anthropology, Ars, and Self-Transformation
Reblogged from synthetic_zero: Tim Ingold on Anthropology, Ars, and Self-Transformation thanks to:...
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Tim Ingold on Anthropology, Ars, and Self-Transformation
Reblogged from synthetic_zero: Tim Ingold on Anthropology, Ars, and Self-Transformation thanks to:...
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Ethnography as theory
I’m at the University of Warwick for a seminar on ethnography as theory. The two papers we were asked to read in advance have duly been read, and I’ll be interested to see what we make of them and of...
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Mark Currie on Memory, story and forgetting
Event: Saturday 15th November at Stroud Valleys Artspace (SVA), as part of my sister-in-law Emily Joy‘s ongoing exhibition Gifts for Mother Mnemosyne Mark Currie, Professor of Contemporary Literature,...
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Out of date
Most of the material on this site is so out of date. Due a big clear-out some time soon. (post to be deleted once I’ve done it!)
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Alison Ross, Walter Benjamin’s Concept of the Image
Francis Barton:This will be fascinating. Originally posted on Progressive Geographies: Just published – Alison Ross, Walter Benjamin’s Concept of the Image. In this book, Alison Ross engages in a...
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Untethered 2
Some wonderful creativity and playing with constraints going on in Mustarinda (Paljakka), Finland, by local (to me) artist Emily Joy. Exploring the relationships between linear prose and atemporal...
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